Real
Name: Ichthultu
Voiced by Rob Zombie
An extra-dimensional being of indeterminable age or origins, Great Ichthultu is the most powerful entity among Its kind, a cabal of alien monstrosities known in our universe as The Old Ones. Not content to dwell in Its own dimension, the creature has sought to establish a presence in our universe, either by the accumulation of worshippers or through direct conquest. In Its time, Ichthultu was worshipped thousands of years ago on the planet Thanagar—where it traded knowledge in exchange for sacrifice—and attempted an occupation of ancient Earth, but It was defeated by King Poseidon, who closed the passage between our reality and Its own.
Incredibly
powerful and ancient, Great Ichthultu never forgave that slight, and continued
to find another way to breach the barrier between dimensions.
However, Its ambitions were recently broken when Hawkgirl, a Thanagarian
all too familiar with the legends of Ichthultu’s horrors, gave the entity a
lobotomy using her electrified mace. Now
blind and idiotic, Great Ichthultu writhes unceasingly in Its own universe,
surrounded by the lesser entities that formerly served as Its armies.
Dwayne McDuffie on Ichthultu: “Ichthulhu was absolutely a tribute to H.P. Lovecraft and to the old Marvel Comics’ The Defenders. [Also], Bruce Timm is a Rob Zombie fan, so I wouldn’t be surprised if casting him as Ichthultu was his idea. It was appropriate casting (courtesy of ToyFare Magazine).”
Images
Cthulhu Image #1 | Cthulhu Image #2 | Screen Grabs of The Old Ones
Commentary
There had been aeons when other Things ruled the earth, and They had had great cities. Remains of Them […] were still to be found as Cyclopean stones on islands in the Pacific. They all died vast epochs of time before men came, but there were arts which could revive Them when the stars had come round again to the right positions in the cycle of eternity.
[...That] time would be easy to know, for then mankind would have become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and reveling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the earth would flame with a holocaust of ecstasy and freedom.
H.P. Lovecraft, from The Call of Cthulhu
"Speak to me, Child of Thanagar…I gave your people everything. Why did you forsake me?”
"Forsake—we threw you out! The price for your favors was too high.”
An exchange between Ichthultu and Hawkgirl from "The Terror Beyond"
While DC Comics fans may have
been perplexed over the use of Ichthultu—a seemingly original villain not
based on any classic DC Comics’ character—diehard H.P. Lovecraft fans
immediately recognized the creature’s similarity to Cthulhu, one of
Lovecraft’s most famous creations. Still,
Its inclusion into the Justice League series was not an arbitrary homage,
as Bruce Timm and the creative team have been slipping Lovecraft references into
their work for quite some time.
Allusions to Lovecraft’s
work—a set of stories collectively referred to as “The Cthulhu Mythos";
most of which written by Lovecraft himself, others by different authors seeking
to add to the collection’s tapestry—have been an ongoing constant since the
days of Batman: The Animated
Series. The Egyptian zombie
goddess Thoth Khepera from the
Batman episode "Avatar,"
Karkull from
the Superman episode "Hand of Fate," the Gug-influenced
Krypto from the Superman episode "Bizarro’s World," the alien beast from the
Superman
episode "Unity," The
Imperium, Felix Faust (who bears more than a passing
resemblance to the description of Lovecraft’s Nyarlathotep)…even the
zombie Solomon Grundy and
the (debatably) Shoggoth-like influences that can be found
in Clayface—all of these things (and potentially more) can be traced back in
some way to the Mythos. This
should come as no surprise, however, as it is no big secret that Bruce Timm is a
Lovecraft fan, as this Timm-drawn caricature can attest (Lovecraft is the one
seated, and he is flanked by writers Edgar Allan Poe and Robert E. Howard,
creator of Conan the Barbarian).
(Those who would deride this
use here as decadence on the part of the creative team should consider that direct
adaptations of Lovecraft's stories and Lovecraft-influenced tales have been utilized in comics for
decades. In fact, the Silver Age
Felix Faust kept a copy of the Necronomicon, Lovecraft’s all-purpose magickal tome and plot
device, for use in his Justice League of America stories.)
As was the case with Karkull
from "The Hand of Fate," "The Terror Beyond’s" Ichthultu is
primarily a tribute to Cthulhu, but where Karkull was merely described as a demon, Ichthultu
is instead established to be more as Lovecraft’s original pantheon of creatures were—utilizing
the attributes of gods and aliens, but being primarily neither, as these
entities were imagined as being totally alien and indescribable in terms of
humanity’s experience (in theory, we have no language to fully describe these
creatures). To them, we are
insignificant beings limited to three dimensions; a tiny race inhabiting a speck
in the grand, chaotic, incomprehensible vastness that the universe actually is.
Of course, all this could not be delivered in the limits of a
forty-minute episode, but some of it was alluded to.
In general terms, Ichthultu was
physically designed to resemble Cthulhu’s head—with the octopi-like
features, the facial feelers, and the eyes teeming with alien intelligence—but
the alien beast resembles Its literary forebear in other ways, such as the fact
that It is not bound by a fixed shape. As
with Cthulhu Itself, the squid-like head is a constant, but portions of It can
expand or contract at will depending on what is needed from moment to moment (in
"The Terror Beyond," tentacles and eyestalks were extended from Its body to
get a closer look at the trespassers).
The Lovecraft influences
don’t stop with Great Ichthultu, however, as the lesser creatures that
constituted Its armies—called “The Old Ones” in "The Terror Beyond"—all
possessed physical traits that linked them thematically the author’s creations.
The tentacles, the eyestalks, the reptilian and marine influences—all
of these things are constants that appear again and again in the Cthulhu
Mythos’ monsters. In particular,
the use of attributes from aquatic creatures is a sly nod to Lovecraft’s
famous hatred of fish (some reports reveal him to have been allergic), as the
majority of his creatures possessed some sort of fish-like characteristic (the
most famous being The Deep Ones from The Shadow Over Innsmouth).
Finally, some of the creatures from the episode were lifted directly from
his fiction—the creature with the vertical mouth that fought Solomon Grundy
was a Gug, from The Dream-Quest of Unknown Kadath; two of the background
creatures fighting Superman and Wonder Woman were Dagon (or possibly a Deep One)
and Great Cthulhu Itself, from Dagon
and The Call of Cthulhu, respectively; the creature that Grundy fought in Ichthultu’s brain could
possibly be either a Shoggoth (from At the Mountains of Madness) or a
Servitor of the Outer Gods (from August Derleth’s The Lurker at the Threshold), and the headless creatures possessing
mouths on their hands were Y’golonacs, from Ramsey Campbell’s Cold
Print.
Images courtesy of The World's Finest, Cole Miller, Uncle Bear, The Bruce Timm Gallery, and Toon Zone. Cthulhu and related Cthulhu Mythos materials courtesy of the estate of H.P. Lovecraft or their respective creators.